{"id":13,"date":"2020-08-21T19:07:36","date_gmt":"2020-08-21T19:07:36","guid":{"rendered":"http:\/\/krzykawska.com\/?page_id=13"},"modified":"2026-08-31T20:55:43","modified_gmt":"2026-08-31T20:55:43","slug":"portfolio","status":"publish","type":"page","link":"https:\/\/krzykawska.com\/index.php\/portfolio\/","title":{"rendered":"Portfolio"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t
American as a Second Language<\/a><\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t
Polish Melancholies<\/a><\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t
Natural \/ Unnatural<\/a><\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t
Selected outdoor works<\/a><\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t
Selected gallery works<\/a><\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

American as a Second Language<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n
\n
<\/i>
info<\/h6><\/div>

A new immigrant experience, a reading about Pilgrims and Indians, that was assigned to an artist in her English language class led her to research the relationship between rituals of national glorification and enduring silence about genocide in the commemoration of Thanksgiving.
In a series American as a Second Language<\/em>, Krzykawska decodes the history, national mythmaking, commemoration, and new spirituality of her new homeland, the United States.<\/p>

\u00a0<\/p>

In\u00a0\u201cBeuys, Coyote, and Turkey\u201d work Kasia Krzykawska addresses Thanksgiving\u2019s dilemmas by alluding to Joseph Beuys\u2019 1974 performance I\u00a0Like America, and America Likes Me, in which he locked himself in a cell with a live coyote, an indigenous animal, to \u201cdiscuss\u201d troubling American politics.<\/em>
She creates a still scene with a turkey on a table, where Coyote and Beuys meet again in year 2021, that marks 400 years (according to American national myth\/history) since the first Thanksgiving meal, and 100 years since the artist Joseph Beuys\u2019 birth.<\/em><\/p>

\u00a0<\/p>

In the installation \u201cAmerican as a Second Language\u201d<\/em> (machinaloci, Berkeley, 2021), on two different parts of the gallery shopwindow, she quotes fragments from The 1776 Report<\/em> by the President\u2019s Trump Advisory 1776 Commission (which was released on January 18, 2021, a few days before the exhibition), and Gordan\u2019s poetry read during the President Biden inauguration. She treats the shopfront window of machinaloci space as a sketchbook for quotes and thoughts that she gathered while adapting to a new land, new histories, and new cultural codes.<\/p>

\u00a0<\/p>

The work Stream (video, installation, 2022)<\/em> is based on personal experience but is documentary in nature. The names that are present on the screen and in the flyers are those of more than sixty groupings, communities, associations, and spiritual collectives that she visited after moving to the San Francisco cultural circle. Most of them locate themselves outside mainstream religions, or in their far spectrum, and were founded in the last half of twenty century.<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t
\n
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Coyote. I Like America. 2021<\/em>\"\n \n \n >Coyote. I Like America. 2021<\/em><\/a><\/h2><\/header>
\n

https:\/\/www.youtube.com\/watch?v=Y3F1v7HVYvU<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Beuys, Coyote, and Turkey, 2021<\/em>\"\n \n \n >Beuys, Coyote, and Turkey, 2021<\/em><\/a><\/h2><\/header>
\n

Window Project, installation: American as a Second Language, machinaloci, Berkeley, 2021<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Stream, 2022<\/em>\"\n \n \n >Stream, 2022<\/em><\/a><\/h2><\/header>
\n

Exhibition \u201cNew Spirituality\u201d at the Mark Rothko Art Center, LV<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n
<\/div>\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tNext projects<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tNext projects<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Polish Melancholies<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n
\n
<\/i>
info<\/h6><\/div>

The Polish Melancholies<\/i> series refers to historical traumas, symbols and national epics of my homeland.<\/p>

\u00a0\u201e Melancholy, (\u2026) it houses the joy brought to half and is partly doomed to transform into existential sadness. (\u2026) Melancholy is born with a particular failure, one or many of them. (\u2026) The world of melancholy is divided into two different spaces: the upper, ideal and utopian, and lower, daily and mundane one.\u201d<\/p>

Josef Tischner, Chochol Sarmackiej melancholii [The Mulch in the Sarmatian Melancholy].<\/p>

A white horse (Horse and the Polish Matter, 2015)<\/i> is one of the indispensable elements of Polish artistic iconography dedicated to military successes and the fate of the country. White lime paint was used to disinfect traditional vision of patriotism and clear the field for a new context. As Kamila Le\u015bniak wrote in \u201cV Land Art Festival\u201d catalogue: \u201cWhiteness of the scenery is not the result of a simple paint, but lime used for disinfection, also corpses. This is an attempt to disenchant the myth, clear the field for the new content (\u2026).<\/p>

Borderline\u2019s (2016) <\/i>concept is based on hardly visible social classes\u2019 battle and puts light on Polish farmer\u2019s history. The work reflects on the nature of historically unstable idea of fraternizing peasants with the masters (\u201cWesele -The Wedding\u201d by S. Wyspia\u0144ski) and its contemporary issues: different visions of patriotism and service for their country. Farmers tools painted white and coated with fluorescent pigment and by night they become a surrealistic part of a theatric battle scene.<\/p>

The work Swing, One Cannot Swing On<\/i> (2016) denies freedom and joy associated with the act of swinging. Two swings, white and red (colors of the Polish flag) are facing each other, bumping against each other and provoking constant collisions.<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t
\n
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Horse and the Polish Matter<\/a><\/h2><\/header>
\n

V Land Art Festival, Bubel Stary, Poland, 2015.<\/p>More<\/a><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article>

\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Borderline Landscape<\/a><\/h2><\/header>
\n

Szczere Pole Outdoor Gallery, Kryspin\u00f3w, Poland, 2016<\/p>More<\/a><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article>

\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Swing, One Cannot Swing On<\/a><\/h2><\/header>
\n

VI Land Art Festival, Bubel \u0141ukowiska, Poland, 2016.<\/p>More<\/a><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article>

\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

AbRh+\/#D4213D<\/a><\/h2><\/header>
\n

#D4213D, XX1 Gallery, Warsaw, 2011 ABRh+, XS Gallery, Fine Acrts Institute UJK, Kielce, 2010 \/ Dziennik Polski, 2010<\/p>More<\/a><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n

<\/div>\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tNext projects<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

AbRh+\/#D4213D<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n
\n
<\/i>
info<\/h6><\/div>

Installations ABRh+ and #D4213D (2010, 2011) research the intertwined relations between Polish countryside, patriotism and religion. #D4213D is a color code of the Polish flag redness. A red poppy flower is regarded to be a national flower of Poland. In literature the redness of poppy flowers is often symbolically associated with the shedding of blood in heroic and patriotic battles. Paper, handmade poppies appear as decoration of holly pictures in the Catholic chapels in the countryside. The flower (opium poppy) is known for its drug properties.<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tNext projects<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

#D4213D<\/a><\/h2><\/header>
\n

XX1 Gallery, Warsaw, 2011.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

ABRh+<\/a><\/h2><\/header>
\n

XS Gallery, Fine Arts Institute UJK, Kielce, 2010. ABRh+, Dziennik Polski, 2010.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n
<\/div>\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tNext projects<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Natural\/Unnatural<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n
\n
<\/i>
info<\/h6><\/div>

...<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t
\n
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Forest<\/a><\/h2><\/header>
\n

Zapustka, Poland, 2008.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

White\/Syberiada<\/a><\/h2><\/header>
\n

Rodaki, Poland, 2009.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Garden<\/a><\/h2><\/header>
\n

XX1 Gallery, Warsaw, 2013<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Import-Export<\/a><\/h2><\/header>
\n

Essener Strasse, Hamburg, Germany, 2010.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n
<\/div>\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tNext projects<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Selected outdoor works<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n
\n
<\/i>
info<\/h6><\/div>

...<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t
\n
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

They Depart, They Arrive<\/a><\/h2><\/header>
\n

Installation in Arboretum Bolestraszyce, 2026.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Forest Eye<\/a><\/h2><\/header>
\n

Site specific, Lauderdale, Mississippi, USA, 2026<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Murmur \/ Spirit & Bones<\/a><\/h2><\/header>
\n

Collabora’on with Sarah Bush Dance ProjectNesting, site specific at Richardson Bay Audubon Center and Sanctuary, USA, 2021 Spirit&Bones by Sarah...<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

DoMy<\/a><\/h2><\/header>
\n

VI Land Art Festiwal, Bubel Stary, Poland, 2016. Work created with children from Bubel Stary village.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Paired<\/a><\/h2><\/header>
\n

Arboretum Bolestraszyce, Poland, 2017.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Red Hood<\/a><\/h2><\/header>
\n

Arboretum Bolestraszyce, Poland, 2014.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Cloud<\/a><\/h2><\/header>
\n

Arboretum Bolestraszyce, Poland, 2014<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Stones<\/a><\/h2><\/header>
\n

Arboretum Bolestraszyce, Poland, 2009.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

By Water<\/a><\/h2><\/header>
\n

Arboretum Bolestraszyce, Poland, 2007.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n
<\/div>\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\tNext projects<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Selected gallery works<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n
\n
<\/i>
info<\/h6><\/div>

...<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t
\n
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Forest Within<\/a><\/h2><\/header>
\n

Vienna Woods Gallery, Los Angeles, 2026.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Confiserie Polonaise 1<\/a><\/h2><\/header>
\n

XX1 Gallery, Warsaw, 2013.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Islands<\/a><\/h2><\/header>
\n

BWA Ostrowiec \u015awi\u0119tokrzyski \/ Gallery Alles Wird Shoen, Hamburg, 2009.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Private horizontal line<\/a><\/h2><\/header>
\n

Kinetic Drawings, Meeting in Zdonov residency, Czechia, 2010.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article>
\n
\n
<\/i><\/a><\/div>
\n \"\"\n <\/div><\/div>

Stories<\/a><\/h2><\/header>
\n

BWA Ostrowiec \u015awi\u0119tokrzyski, view of the exhibition, 2009.<\/p>More<\/a><\/div>\n <\/div>

<\/div><\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n
<\/div>\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

American as a Second Language Polish Melancholies Natural \/ Unnatural Selected outdoor works Selected gallery works American as a Second Language info A new immigrant experience, a reading about Pilgrims and Indians, that was assigned to an artist in her English language class led her to research the relationship between rituals of national glorification and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/13"}],"collection":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":141,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":989,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/13\/revisions\/989"}],"wp:attachment":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}