{"id":13,"date":"2020-08-21T19:07:36","date_gmt":"2020-08-21T19:07:36","guid":{"rendered":"http:\/\/krzykawska.com\/?page_id=13"},"modified":"2020-11-28T15:17:24","modified_gmt":"2020-11-28T15:17:24","slug":"portfolio","status":"publish","type":"page","link":"https:\/\/krzykawska.com\/index.php\/portfolio\/","title":{"rendered":"Portfolio"},"content":{"rendered":"\t\t
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Polish Melancholies<\/a><\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Polish Melancholies<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Polish Melancholies<\/i> series refers to historical traumas, symbols and national epics of my homeland.<\/p>

\u00a0\u201e Melancholy, (\u2026) it houses the joy brought to half and is partly doomed to transform into existential sadness. (\u2026) Melancholy is born with a particular failure, one or many of them. (\u2026) The world of melancholy is divided into two different spaces: the upper, ideal and utopian, and lower, daily and mundane one.\u201d<\/p>

Josef Tischner, Chochol Sarmackiej melancholii [The Mulch in the Sarmatian Melancholy].<\/p>

A white horse (Horse and the Polish Matter, 2015)<\/i> is one of the indispensable elements of Polish artistic iconography dedicated to military successes and the fate of the country. White lime paint was used to disinfect traditional vision of patriotism and clear the field for a new context. As Kamila Le\u015bniak wrote in \u201cV Land Art Festival\u201d catalogue: \u201cWhiteness of the scenery is not the result of a simple paint, but lime used for disinfection, also corpses. This is an attempt to disenchant the myth, clear the field for the new content (\u2026).<\/p>

Borderline\u2019s (2016) <\/i>concept is based on hardly visible social classes\u2019 battle and puts light on Polish farmer\u2019s history. The work reflects on the nature of historically unstable idea of fraternizing peasants with the masters (\u201cWesele -The Wedding\u201d by S. Wyspia\u0144ski) and its contemporary issues: different visions of patriotism and service for their country. Farmers tools painted white and coated with fluorescent pigment and by night they become a surrealistic part of a theatric battle scene.<\/p>

The work Swing, One Cannot Swing On<\/i> (2016) denies freedom and joy associated with the act of swinging. Two swings, white and red (colors of the Polish flag) are facing each other, bumping against each other and provoking constant collisions.<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Horse and the Polish Matter<\/a><\/h2><\/header>
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V Land Art Festival, Bubel Stary, Poland, 2015.<\/p>More<\/a><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article>

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Borderline Landscape<\/a><\/h2><\/header>
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Szczere Pole Outdoor Gallery, Kryspin\u00f3w, Poland, 2016<\/p>More<\/a><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article>

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Swing, One Cannot Swing On<\/a><\/h2><\/header>
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VI Land Art Festival, Bubel \u0141ukowiska, Poland, 2016.<\/p>More<\/a><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n

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AbRh+\/#D4213D<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Installations ABRh+ and #D4213D (2010, 2011) research the intertwined relations between Polish countryside, patriotism and religion. #D4213D is a color code of the Polish flag redness. A red poppy flower is regarded to be a national flower of Poland. In literature the redness of poppy flowers is often symbolically associated with the shedding of blood in heroic and patriotic battles. Paper, handmade poppies appear as decoration of holly pictures in the Catholic chapels in the countryside. The flower (opium poppy) is known for its drug properties.<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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#D4213D<\/a><\/h2><\/header>
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XX1 Gallery, Warsaw, 2011.<\/p>More<\/a><\/div>\n <\/div>

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ABRh+<\/a><\/h2><\/header>
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XS Gallery, Fine Arts Institute UJK, Kielce, 2010. ABRh+, Dziennik Polski, 2010.<\/p>More<\/a><\/div>\n <\/div>

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...<\/p><\/p><\/div>\n <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Forest<\/a><\/h2><\/header>
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Zapustka, Poland, 2008.<\/p>More<\/a><\/div>\n <\/div>

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White\/Syberiada<\/a><\/h2><\/header>
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Rodaki, Poland, 2009.<\/p>More<\/a><\/div>\n <\/div>

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Garden<\/a><\/h2><\/header>
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XX1 Gallery, Warsaw, 2013<\/p>More<\/a><\/div>\n <\/div>

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Import-Export<\/a><\/h2><\/header>
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Essener Strasse, Hamburg, Germany, 2010.<\/p>More<\/a><\/div>\n <\/div>

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Selected outdoor works<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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DoMy<\/a><\/h2><\/header>
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VI Land Art Festiwal, Bubel Stary, Poland, 2016. Work created with children from Bubel Stary village.<\/p>More<\/a><\/div>\n <\/div>

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Paired<\/a><\/h2><\/header>
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Arboretum Bolestraszyce, Poland, 2017.<\/p>More<\/a><\/div>\n <\/div>

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Red Hood<\/a><\/h2><\/header>
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Arboretum Bolestraszyce, Poland, 2014.<\/p>More<\/a><\/div>\n <\/div>

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Stones<\/a><\/h2><\/header>
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Arboretum Bolestraszyce, Poland, 2009.<\/p>More<\/a><\/div>\n <\/div>

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Cloud<\/a><\/h2><\/header>
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Arboretum Bolestraszyce, Poland, 2014<\/p>More<\/a><\/div>\n <\/div>

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By Water<\/a><\/h2><\/header>
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Arboretum Bolestraszyce, Poland, 2007.<\/p>More<\/a><\/div>\n <\/div>

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Private horizontal line<\/a><\/h2><\/header>
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Kinetic Drawings, Meeting in Zdonov residency, Czechia, 2010.<\/p>More<\/a><\/div>\n <\/div>

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Confiserie Polonaise 1<\/a><\/h2><\/header>
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XX1 Gallery, Warsaw, 2013.<\/p>More<\/a><\/div>\n <\/div>

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Islands<\/a><\/h2><\/header>
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BWA Ostrowiec \u015awi\u0119tokrzyski \/ Gallery Alles Wird Shoen, Hamburg, 2009.<\/p>More<\/a><\/div>\n <\/div>

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Stories<\/a><\/h2><\/header>
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BWA Ostrowiec \u015awi\u0119tokrzyski, view of the exhibition, 2009.<\/p>More<\/a><\/div>\n <\/div>

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<\/div>\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Polish Melancholies AbRh+ \/ #D4213D Natural \/ Unnatural Selected outdoor works Selected gallery works Polish Melancholies info The Polish Melancholies series refers to historical traumas, symbols and national epics of my homeland. \u00a0\u201e Melancholy, (\u2026) it houses the joy brought to half and is partly doomed to transform into existential sadness. (\u2026) Melancholy is born […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/13"}],"collection":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":129,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":621,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/13\/revisions\/621"}],"wp:attachment":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}