{"id":15,"date":"2020-08-21T19:07:36","date_gmt":"2020-08-21T19:07:36","guid":{"rendered":"http:\/\/krzykawska.com\/?page_id=15"},"modified":"2026-08-31T21:17:51","modified_gmt":"2026-08-31T21:17:51","slug":"about-me","status":"publish","type":"page","link":"https:\/\/krzykawska.com\/index.php\/about-me\/","title":{"rendered":"About Me"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"15\" class=\"elementor elementor-15\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"ob-is-breaking-bad elementor-section elementor-top-section elementor-element elementor-element-401101d elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-invisible\" data-id=\"401101d\" data-element_type=\"section\" 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data-settings=\"{&quot;_animation&quot;:&quot;none&quot;,&quot;_ob_photomorph_use&quot;:&quot;no&quot;,&quot;_ob_perspektive_use&quot;:&quot;no&quot;,&quot;_ob_shadough_use&quot;:&quot;no&quot;,&quot;_ob_allow_hoveranimator&quot;:&quot;no&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t<img width=\"768\" height=\"1033\" src=\"https:\/\/krzykawska.com\/wp-content\/uploads\/2026\/08\/portret_AboutMe-copy-768x1033.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/krzykawska.com\/wp-content\/uploads\/2026\/08\/portret_AboutMe-copy-768x1033.jpg 768w, https:\/\/krzykawska.com\/wp-content\/uploads\/2026\/08\/portret_AboutMe-copy-223x300.jpg 223w, https:\/\/krzykawska.com\/wp-content\/uploads\/2026\/08\/portret_AboutMe-copy-761x1024.jpg 761w, https:\/\/krzykawska.com\/wp-content\/uploads\/2026\/08\/portret_AboutMe-copy-1142x1536.jpg 1142w, https:\/\/krzykawska.com\/wp-content\/uploads\/2026\/08\/portret_AboutMe-copy.jpg 1522w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a1ce491 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"a1ce491\" data-element_type=\"widget\" data-settings=\"{&quot;_ob_perspektive_use&quot;:&quot;no&quot;,&quot;_ob_shadough_use&quot;:&quot;no&quot;,&quot;_ob_allow_hoveranimator&quot;:&quot;no&quot;}\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9802f4b ob-harakiri-inherit elementor-widget elementor-widget-heading\" data-id=\"9802f4b\" data-element_type=\"widget\" data-settings=\"{&quot;_ob_harakiri_writing_mode&quot;:&quot;inherit&quot;,&quot;_ob_perspektive_use&quot;:&quot;no&quot;,&quot;_ob_shadough_use&quot;:&quot;no&quot;,&quot;_ob_allow_hoveranimator&quot;:&quot;no&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Katarzyna (Kasia)<br>Krzykawska<br><\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-0a38f25 elementor-invisible\" data-id=\"0a38f25\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;,&quot;animation_delay&quot;:600,&quot;_ob_teleporter_use&quot;:false,&quot;_ob_column_hoveranimator&quot;:&quot;no&quot;}\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-97ffe1c ob-harakiri-inherit elementor-widget elementor-widget-text-editor\" data-id=\"97ffe1c\" data-element_type=\"widget\" data-settings=\"{&quot;_ob_harakiri_writing_mode&quot;:&quot;inherit&quot;,&quot;_ob_perspektive_use&quot;:&quot;no&quot;,&quot;_ob_shadough_use&quot;:&quot;no&quot;,&quot;_ob_allow_hoveranimator&quot;:&quot;no&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p><strong>Katarzyna Krzykawska (Apolinarski)<\/strong> is a multidisciplinary artist and an art educator with gallery exhibits and site-specific art installations in several countries, including Poland, USA, Germany, Spain, Mexico, and Taiwan. Her art practice explores the sociocultural context of landscapes exposing the contradictions of the idealistic utopian versus the pragmatic mundane.\u00a0<\/p><p>She has been commissioned by parks, various institutions, and art festivals to make art installations (Land Art Festival, Arboretum Bolestraszyce), monuments and scenic design (Sarah Bush Dance Company for San Francisco Opera, and National Audubon Society).\u00a0<\/p><p>Besides her art practice, she is a researcher who publishes texts about contemporary art, environment, and deathscape.<\/p><p>Krzykawska studied art in Poland and Spain, received a MFA (2000), PhD (2008) and postdoctoral (2017) degrees from Academies of Fine Arts in Krakow and Gdansk. She has taught art and design at universities in Poland, Mexico, Italy, and recently at the California State University.\u00a0<\/p><p>She lives and works in the US and Poland.\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4096938 animated-slow elementor-invisible elementor-widget elementor-widget-eael-adv-accordion\" data-id=\"4096938\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:300,&quot;_ob_perspektive_use&quot;:&quot;no&quot;,&quot;_ob_shadough_use&quot;:&quot;no&quot;,&quot;_ob_allow_hoveranimator&quot;:&quot;no&quot;}\" data-widget_type=\"eael-adv-accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t        <div class=\"eael-adv-accordion\" id=\"eael-adv-accordion-4096938\" data-accordion-id=\"4096938\" data-accordion-type=\"accordion\" data-toogle-speed=\"300\">\n    <div class=\"eael-accordion-list\">\n                <div id=\"elementor-tab-title-6771\" class=\"elementor-tab-title eael-accordion-header\" tabindex=\"6771\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-6771\"><i class=\"fas fa-plus fa-accordion-icon\"><\/i><span class=\"eael-accordion-tab-title\">CV - ART<\/span><i class=\"fas fa-angle-right fa-toggle\"><\/i><\/div><div id=\"elementor-tab-content-6771\" class=\"eael-accordion-content clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-6771\"><p><p><span lang=\"pl-PL\">Katarzyna Krzykawska (Apolinarski)<br \/><\/span><\/p><p><span lang=\"pl-PL\">POLAND \/ USA<\/span><\/p><p>2017 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>Post-doctoral, Department of Sculpture and Intermedia Arts. ASP Gda\u0144sk, Poland<br \/>2008 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>PhD in Fine Arts, Department of Sculpture, Academy of Fine Arts, Krakow, Poland<\/p><p>2000 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>MA Sculpture, Academy of Fine Arts, Krakow, Poland<\/p><p>1999-2000 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>Universidad Polit\u00e9cnica di Valencia, Spain<\/p><p>1998 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>MA Fine Arts Education. Pedagogical University of Krakow, Poland<\/p><p><strong>\u00a0 <\/strong><\/p><p><strong><span style=\"text-decoration: underline;\">SELECTED SHOWS AND ART PROJECTS (<b>selection 2008 \u2013 2026<\/b>)<br \/><\/span>\u00a0<\/strong><\/p><p>2026<code>\u2003<\/code> <i>They Depart, They Arrive<\/i>, Arboretum Bolestraszyce, Poland (site specific)<\/p><p>2026<code>\u2003<\/code> <i>Forest Within,<\/i> Vienna Woods Gallery, Los Angeles, USA (solo)<\/p><p>2026 <code>\u2003<\/code>\u00a0<i>Forest Eye, <\/i>Lauderdale, (art residency), Mississippi, USA (site specific)<\/p><p>2025<code>\u2003<\/code> <i>Blue Eye<\/i>, Rudnik nad Sanem, Center of Wicker Crafts, Poland (site specific)<\/p><p>2025<code>\u2003<\/code> <i>La vida es sueno, <\/i>Palace of Arts, Krakow, Poland \/Galeria de Saenz Lopez, Culiacan<i>, <\/i>M\u00e9xico (curator \/ participant)<\/p><p>2025<code>\u2003<\/code> <i>PL_US<\/i>, Krakart Group, Vienna Woods Gallery, Los Angeles, USA<\/p><p>2024<code>\u2003<\/code> <i>Land of Urlo. Ethereal Labyrinth<\/i>, Pharmacy Museum, Wroclaw, Poland\/<br \/><code>\u2003\u2003 <\/code>\u00a0\u00a0 Museum of Lithuanian Literature Maironis, Kaunas, Lithuania<\/p><p>2024<code>\u2003<\/code> <i>Art Faculty and Alumni Exhibition<\/i>, California State University Art Gallery, Hayward, USA<\/p><p>2023<code>\u2003<\/code> <i>The New Spirituality, <\/i>Mark Rothko Art Center, Daugavpils, Latvia<\/p><p>2022<code>\u2003<\/code> <i>Honoring Life<\/i>, Petaluma Art Center, CA, USA<\/p><p>2021<code>\u2003<\/code> <i>American as a Second Language, <\/i>The Window Project @ machinaloci, Berkeley, USA (solo)<\/p><p>2018<code>\u2003<\/code> <em>Spirit&amp;Bones<\/em> by Sarah Bush Dance Project - scenic design, Taube Atrium Theatre, The Wilsey Center for Opera, San Francisco, USA<\/p><p>2018<code>\u2003<\/code> <em>Spirit&amp;Bones<\/em> by Sarah Bush Dance Project - scenic design, Taube Atrium Theatre, The Wilsey Center for Opera, San Francisco, USA<\/p><p><span lang=\"es-ES\">2017<code>\u2003<\/code> <\/span><span lang=\"es-ES\"><em>Landscape Memory<\/em>,<\/span> <span lang=\"es-ES\">Labolatorio de Artistas Norte 124, Metep<\/span><span lang=\"es-ES\">\u00e9<\/span><span lang=\"es-ES\">c, M<\/span><span lang=\"es-ES\">\u00e9<\/span><span lang=\"es-ES\">xico<\/span><span lang=\"es-ES\"> (solo)<\/span><\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0\u00a0 <em>Paired<\/em>, Arboretum Bolestraszyce, Poland (site specific)<\/p><p>2016 <code>\u2003<\/code><em>Swing<\/em>, VI Land Art Festival, \u201cHome\u201d, Bubel \u0141ukowiska, Poland (site specific)<\/p><p>2016<code>\u2003<\/code> <em>Borderline<\/em>, Szczere Pole Gallery, Kryspin\u00f3w, Poland (site specific)<\/p><p>2015 <code>\u2003<\/code><em>Horse and a Polish Case<\/em>. Disinfection of Polish Romantic Landscape, V Land Art Festival, Stary Bubel, Poland (site specific)<\/p><p>2015 <code>\u2003<\/code><em>Cutting \/Thunder<\/em>, Arboretum SGGW Rogow, Poland (site specific)<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>Tears,<\/em> University of Lviv Botanical Garden, Lviv, Ukraine (site specific)<\/p><p>2014 <code>\u2003<\/code><em>Cloud<\/em>, Arboretum Bolestraszyce, Poland (site specific)<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>Red Hood<\/em>, Arboretum Bolestraszyce, Poland (site specific)<\/p><p>2013 <code>\u2003<\/code><em>Confiserie Polonaise<\/em>, XX1 Gallery, Warsaw, Poland (solo)<\/p><p><span lang=\"es-ES\"><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>La Originalidad en la cultura de la copia<\/em><\/span><span lang=\"es-ES\">, El Centro Universitario de las Artes, Ciudad Ju\u00e1rez, M<\/span><span lang=\"es-ES\">\u00e9<\/span><span lang=\"es-ES\">xico<\/span><\/p><p><span lang=\"es-ES\">2012 <code>\u2003<\/code><\/span><span lang=\"es-ES\"><em>Difficult Cases<\/em>,<\/span><span lang=\"es-ES\"> U Piotra Gallery, Arboretum Bolestraszyce, Poland<\/span><span lang=\"es-ES\"> (solo)<\/span><\/p><p><span lang=\"es-ES\">2012<\/span> <code>\u2003<\/code><span lang=\"es-ES\"><em>Stories<\/em>,<\/span><span lang=\"es-ES\"> BWA Gallery, Ostrowiec S\u0301wie\u0328tokrzyski, Poland<\/span><span lang=\"es-ES\"> (solo)<\/span><\/p><p>2011 <code>\u2003<\/code><em>Stones<\/em>, Arboretum Bolestraszyce, Poland (site specific)<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em># D4213D<\/em>, XX1 Gallery, Warsaw, Poland (solo)<\/p><p><span lang=\"es-ES\"><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0<em> Libroarte<\/em><\/span><span lang=\"es-ES\"><em>,<\/em> Biblioteca de la Facultat de Belles Arts in Barcelona, Spain<\/span><\/p><p>2010 <code>\u2003<\/code><em>AB Rh +<\/em>, XS Gallery, Fine Arts Institute, Kielce, Poland (solo)<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>Wariaty<\/em>, Alles wird Schoen Gallery, Hamburg, Germany (solo)<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>Import-Export<\/em>, Exhibition in collaboration with Waldemar Sulewski and Kioer group, Essener Strasse, Hamburg, Germany<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>Sztuka<\/em>, Positionen Polnischer Aktueller Kunst, Schleswig-Holstein, Germany<\/p><p>2009 <code>\u2003<\/code><em>Private Horizontal Line<\/em>, Kinetic Drawings, Meeting in Zdonov, Czechia (site specific)<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>Searching for EU Standards<\/em>, Vilnius, Lithuania (site specific)<\/p><p><code>\u2003<\/code><code>\u2003<\/code><code>\u2003<\/code>\u00a0 <em>Geumgang Nature Art Pre-Biennale<\/em>, South Korea<\/p><p>2008 <code>\u2003<\/code>International Tsai-mo Ecology Art Exhibition, Taichung City, Taiwan<\/p><\/p><\/div>\n                <\/div><div class=\"eael-accordion-list\">\n                <div id=\"elementor-tab-title-6772\" class=\"elementor-tab-title eael-accordion-header\" tabindex=\"6772\" data-tab=\"2\" role=\"tab\" aria-controls=\"elementor-tab-content-6772\"><i class=\"fas fa-plus fa-accordion-icon\"><\/i><span class=\"eael-accordion-tab-title\">CV - ACADEMIA<\/span><i class=\"fas fa-angle-right fa-toggle\"><\/i><\/div><div id=\"elementor-tab-content-6772\" class=\"eael-accordion-content clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-6772\"><p><p>Katarzyna Krzykawska (Apolinarski)<\/p><p><span style=\"text-decoration: underline;\"><strong><span lang=\"pl-PL\">EDUCATION<\/span><\/strong><\/span><\/p><p>2017 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>Post-doctoral, Department of Sculpture and Intermedia Arts. ASP Gda\u0144sk, Poland<br \/>2008 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>PhD in Fine Arts, Department of Sculpture, Academy of Fine Arts, Krakow, Poland<\/p><p>2000 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>MA Sculpture, Academy of Fine Arts, Krakow, Poland<\/p><p>2000 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>Universidad Polit\u00e9cnica di Valencia, Spain<\/p><p>1998 <span lang=\"es-ES\"><code>\u2003<\/code><\/span>MA Fine Arts Education. Pedagogical University of Krakow, Poland<\/p><p>\u00a0<\/p><p><span style=\"text-decoration: underline;\"><strong>SELECTED ACADEMIC ACTIVITIES 2008-2020<\/strong><\/span><\/p><p><span style=\"text-decoration: underline;\"><strong>Teaching Experience at Universities<\/strong><\/span><\/p><p>2022 \u2013<\/p><p>The California State University, East Bay, The Department of Art and Design, CA, USA (Adjunct Faculty)<\/p><p>\u00a0<\/p><p>2017- 2022<\/p><p>The Warsaw University of Life Sciences (WULS\/SGGW), The Department of Landscape Art, Warsaw, Poland (Associate Professor)<\/p><p>Degree program - Landscape Architecture (BA and MA studies)<\/p><p>\u00a0<\/p><p>2013-2017<\/p><p>The Warsaw University of Life Sciences (WULS\/SGGW), The Department of Landscape Art, Warsaw, Poland (Assistant Professor)<\/p><p>Degree program - Landscape Architecture (BA and MA studies)<\/p><ul><li style=\"list-style-type: none;\"><ul><li>Courses: Drawing, Sculpture as a Form of Expression, Environmental Sculpture and Design<\/li><li>Sponsor of Bachelor and Master Graduate Diploma Works<\/li><\/ul><\/li><\/ul><p>\u00a0<\/p><p>2008 -2015<\/p><p>The University of Jan Kochanowski, The Institute of Fine Arts, Kielce, Poland (Assistant Professor)<\/p><p>Degree programs - Art Education in Visual Arts (BA, MA and PhD studies) and Design (BA)<\/p><ul><li style=\"list-style-type: none;\"><ul><li>Courses: Multimedia, Public Space Interventions, Sculpture and Architecture \u2013 Small Forms, Fundamentals of Graphic Design<\/li><li>Sponsor of Bachelor and Master Graduate Diploma Works<\/li><\/ul><\/li><\/ul><p><span style=\"text-decoration: underline;\"><strong><b>Invited Lectures, Artist Talks, Workshops, and <\/b><b>Presentations at Academic Institutions<\/b><\/strong><\/span><\/p><p>May, 2026\u00a0<\/p><p><i>Beyond Taboo: The Transformation of the Funeral Landscape,<\/i> NAWA Research Grant, Warsaw University of Life Sciences, Poland.<\/p><p>\u00a0<\/p><p>Oct, 2026\u00a0<\/p><p><i>Analog Meets AI: The Collage Lab, <\/i>ArtCenter College of Design, Pasadena, CA, USA.<\/p><p>\u00a0<\/p><p>Nov, 2023\u00a0<\/p><p><i>American as a Second Language,<\/i> Visiting Artist Lecture Series, Sonoma State University, USA.<\/p><p>\u00a0<\/p><p>July, 2023\u00a0<\/p><p><i>Past that Refuses to Pass Away. Individual Versus Collective in Commemorating<\/i>, Global Urban<\/p><p>Humanities, University of California, Berkeley, USA.<\/p><p>\u00a0<\/p><p><span lang=\"pl-PL\">Nov, 2019 <\/span><\/p><p>American Iconoclasm and its Traces in \u201cTechniques of Memory\u201d at UC Berkeley, conference: Anti- Monuments, Polish Sculpture Center, Oro\u0144sko, Poland.<\/p><p>Sept, 2019<\/p><p>\u201cArt as a Litmus Paper. The Case of the Polish Countryside\u201d, conference: Understanding the Countryside. Rural Europe in a Post-Global World, IES, University of California, Berkeley.<\/p><p>\u00a0<\/p><p><span lang=\"es-ES\">Feb-Mar, 2017<\/span><\/p><p><span lang=\"es-ES\">Lecture series:<\/span><\/p><p>\u201c<span lang=\"es-ES\">Cultura Popular y Arte Contemporaneo en Polonia y Europa del Este\u201d<\/span><span lang=\"es-ES\">,<\/span><span lang=\"es-ES\"> La Universidad Aut\u00f3noma de Estado de M\u00e9xico.<\/span><\/p><p>\u00a0<\/p><p>Apr-May, 2015<\/p><p>\"Contemporary Art in the Provices. Into the Country.\" Accademia di Belle Arti, Bari, Italy, Erasmus Individual Teaching Program for Teaching Staff Mobility.<\/p><p>\u00a0<\/p><p><span lang=\"es-ES\">Nov, 2012<\/span><\/p><p><span lang=\"es-ES\">Lecture series:<\/span><\/p><p><span lang=\"es-ES\">\"Intervenciones efimeras en la naturaleza\" II Encuentro Internacional de Grafica Contempor\u00e1nea, El Instituto de Arquitectura, Dise\u00f1o y Arte, La Universidad Aut\u00f3noma de Ciudad Ju\u00e1rez, M\u00e9xico.<br \/><\/span><\/p><p><span lang=\"es-ES\">\"Inspiraciones: cultura visual de \u00e9poca comunista en dise\u00f1o y arte contempor\u00e1nea en Polonia\", El Instituto de Arquitectura, Dise\u00f1o y Arte, La Universidad Aut\u00f3noma de Ciudad Ju\u00e1rez, M\u00e9xico.<br \/><\/span><\/p><p><span lang=\"es-ES\"><br \/>Oct, 2012<\/span><\/p><p><span lang=\"es-ES\">\"La Bienal B\u00e1ltico\", 7 Foro Internacional de Arte Contempor\u00e1neo, La Universidad Aut\u00f3noma del Estado de M\u00e9xico, Facultad de Artes, M\u00e9xico.<br \/><\/span><\/p><p>Mar, 2012<\/p><p>\"The Song of Two Songs. Some Words about Contemporary Polish Art\", Teaching Program for Teaching Staff Mobility, Accademia di Belle Arti, Bari, Italy.<\/p><p>\u00a0<\/p><p>Apr, 2010<\/p><p>\u201cBetween natural and artificial. The Summary of Contemporary Space Realizations in Poland \", Umeni Academy in Banska Bystrica, Slovakia.<\/p><p>\u00a0<\/p><p><strong><span style=\"text-decoration: underline;\">Selected texts published (2009-2026)<br \/><\/span><\/strong><\/p><p>\u00a0<\/p><p>Krzykawska Apolinarski, K. (2026). From Cemeteries to Ecological Memorial Landscapes: The Rise of Green and Conservation Burial Grounds and Its Opportunity for Urban Planning. Acta Sci. Pol. Architectura.<\/p><p>\u00a0<\/p><p>Dlugozima A., Kosiacka- Beck E., <b>Krzykawska K. <\/b>(2025). Multiuse Cemetery Paradigm: Cemetery as a Multifunctional Place of Social Significance \u2013 Reshaping a Cemetery in the Urban Space of Eastern Europe. Cities, Elsevier, online: https:\/\/doi.org\/10.1016\/j.cities.2024.105556).\u00a0<\/p><p>\u00a0<\/p><p>Dlugozima, A., Kosiacka Beck, E., <b>Krzykawska, K<\/b>. (2025). Cemetery as Multifaceted Space with Leisure Uses in the Urban American and Western European Context. Leisure Studies (Taylor &amp; Francis), pp. 1-18, https:\/\/doi.org\/10.1080\/02614367.2024.2428344\u00a0<\/p><p>\u00a0<\/p><p>Krzykawska K. (2022). <i>Land. Art. Trip. Z okna samochodu<\/i> w: Geografie Sztuki, Kwartalni Rze\u017aby Polskiej Oro\u0144sko, s. 9-13<\/p><p>\u00a0<\/p><p>Krzykawska K. (2021). <i>O akademii, sztuce i m\u0142odzie\u017cy wychowaniu, w: Artysta wobec instytucji, in: Kwartalnik Centrum Rze\u017aby Polskiej w Oro\u0144sku, s.60-65<\/i><\/p><p>\u00a0<\/p><p>Krzykawska K. (2021). <i>Na \u015bmietnisku. in: Rze\u017aba w poszukiwaniu miejsca, w: Kwartalnik Centrum Rze\u017aby Polskiej w Oro\u0144sku, s. 23-28<\/i><\/p><p>\u00a0<\/p><p>Krzykawska K. (2020). <i>Pomnikowy lifting historii. Przypadek ameryka\u0144ski <\/i>w: Wiadomo\u015bci ASP\/92, ASP Krak\u00f3w, s.12-17<\/p><p>\u00a0<\/p><p>Krzykawska K. (2020). <em>The Struggle with Memory in Memorialisation. American Iconoclasm and its Traces in \u201cTechniques of Memory\u201d at UC Berkeley<\/em>. Sculpture Today IV. Anti- Monuments, Polish Sculpture Center, Oro\u0144sko, Poland, pp.99-106.<\/p><p>\u00a0<\/p><p>Krzykawska K. (2019). <em>A Landfill Penisula as an Experimental Use Space. A Case Study of Albany Bulb<\/em>. Acta Sci. Pol. Architectura 18 (4) 2019, pp. 51-60.<\/p><p>\u00a0<\/p><p><span lang=\"pl-PL\">Krzykawska <\/span><span lang=\"pl-PL\">K. (2017).<\/span> <em><span lang=\"es-ES\">Jugar, crear, ver, saber. El espacio para experimentar, jugar, descubrir y aprender,<\/span><\/em><span lang=\"es-ES\"> La Universidad Aut\u00f3noma de Ciudad Ju\u00e1rez, M\u00e9xico, pp. 99-119.<\/span><\/p><p>\u00a0<\/p><p><span lang=\"es-ES\">Krzykawska, K. (2016). <\/span><span lang=\"es-ES\"><em>Intervenciones Efimeras en la Naturaleza<\/em>. <\/span><span lang=\"es-ES\">Intervenciones Efimeras en el Espacio, La Universidad Aut\u00f3noma de Ciudad Ju\u00e1rez, M\u00e9xico, pp. 15-26. <\/span><\/p><p>\u00a0<\/p><p>Krzykawska, K. (2015). <em>Greenery in the City<\/em>. The Projector Cultural Magazine, Kielce ISSN 2353-1037 No.3 \/ 2015; pp. 6-13; <a href=\"http:\/\/www.projektorkielce.pl\/\">http:\/\/www.projektorkielce.pl<\/a><\/p><p>\u00a0<\/p><p>Krzykawska, K. (2015). <em>To see, to Know, to Feel and to Design<\/em>. Seeing the Landscape: The Garden and the Landscape Art, Special edition, pp. 142- 156, ISSN 2084-6150.<\/p><p>\u00a0<\/p><p>Krzykawska, K. (2013). <em>Monuments Will Not Save Us<\/em>. The Projector Cultural Magazine ISSN 2353-1037 No.5 \/ 2013; pp. 10-15; <a href=\"http:\/\/www.projektorkielce.pl\/\">http:\/\/www.projektorkielce.pl<\/a><\/p><p>\u00a0<\/p><p><span lang=\"es-ES\">Katarzyna, K. <\/span><em><span lang=\"es-ES\">La Bienal B<\/span><span lang=\"es-ES\">\u00e1<\/span><\/em><span lang=\"es-ES\"><em>ltico<\/em>. <\/span><span lang=\"es-ES\">7 Foro Internacional de Arte Contempor\u00e1neo, La Universidad Aut\u00f3noma del Estado de M\u00e9xico, Facultad de Artes, M\u00e9xico, pp. 177-188 ISBN 978- 607- 422- 488- 7.<\/span><\/p><p>\u00a0<\/p><p><span lang=\"pl-PL\">Holewi\u0144ski, M. and <strong>Krzykawska, K<\/strong>. (2011). <\/span><em>Park Directory System and a Small Architecture Catalog of Forms in Holy Cross National Park<\/em>. Architecture Mountain Region yesterday-today-tomorrow, the International scientific conference of the Institute of Architecture and Urban Planning. Podhale State Vocational College in Nowy Targ, Poland 2011 ISBN 978-83-60621-15-8.<\/p><p>\u00a0<\/p><p>Krzykawska, K. (2009). <em>Between the Natural and the Artificial<\/em>. Polish Sculpture Annals. Volume XIII, Polish Sculpture Center, pp. 159-161.<\/p><\/p><\/div>\n                <\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Katarzyna (Kasia)Krzykawska Katarzyna Krzykawska (Apolinarski) is a multidisciplinary artist and an art educator with gallery exhibits and site-specific art installations in several countries, including Poland, USA, Germany, Spain, Mexico, and Taiwan. Her art practice explores the sociocultural context of landscapes exposing the contradictions of the idealistic utopian versus the pragmatic mundane.\u00a0 She has been commissioned [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/15"}],"collection":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":52,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":999,"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/pages\/15\/revisions\/999"}],"wp:attachment":[{"href":"https:\/\/krzykawska.com\/index.php\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}